Berthe Morisot’s Le Berceau explores motherhood, intimacy, care, silence, interior space, and the female gaze through a restrained Impressionist language.
A portrait or film still associated with Belma Baş’s visually restrained cinema, where natural landscapes and silence reflect the inner lives of her characters.
A conceptual image examining whether women’s visibility on social media constitutes self-representation or a digitalised regime of objectification and surveillance.
