Berthe Morisot’s Le Berceau explores motherhood, intimacy, care, silence, interior space, and the female gaze through a restrained Impressionist language.
Edward Dufner’s Summer Days combines a mother and child, lakeside shade, pastel color, soft reflections, and diffused light to explore silence, memory, summer, and figurative harmony within American Impressionism.
Four closely gathered family members form a quiet pyramidal structure shaped by closed eyes, pale garments, red embroidery, bodily support, and collective intimacy.
A nude couple, a mother and infant, and two wall studies form a tense Blue Period meditation on intimacy, protection, isolation, and human vulnerability.
