Browsing: Spectatorship

Curran’s At the Theatre combines theatre boxes, audience, orchestra pit, artificial light, red velvet, golden railings, and a distant stage to explore spectatorship, social display, urban leisure, and the relationship between private and public space.

Jacques Rancière redefines politics and aesthetics through equality, dissensus, regimes of visibility, the distribution of the sensible, and spectator emancipation.

Gadamer contrasts Kierkegaard’s inward Antigone with tragedy’s shared structure of fate, disproportionate guilt, spectatorship, tragic affirmation, and common human truth.

Women’s faces become the visible surface of an unseen love story as sound, emotion, and imagination replace the absent screen.

Laura Mulvey: Visual Pleasure and Narrative Cinema