: A cinema analysis of Lars von Trier’s The Boss of It All as a corporate farce about invisible authority, managerial performance, responsibility, and representation.
An art-historical reading of Raphael’s The School of Athens as a High Renaissance image of philosophy, perspective, reason, plurality, and humanist order.
An art-historical reading of Langlois’ Cassandra scene as a French Academic painting of violence, supplication, sacred justice, and mythological drama.
