Browsing: D Group

Two women engaged in ironing and sewing are transformed through geometric forms, flat colour, patterned surfaces, and a modernist interpretation of domestic female labour.

Bent female figures working across a cotton field transform agricultural labour, Anatolian geography, collective production, and bodily repetition into a disciplined modernist composition.

A seated woman working at an embroidery hoop becomes a modernist image of domestic labour, cultural memory, geometric simplification, and traditional decorative form.

A seated woman rests her head on her hand as geometric colour fields transform fatigue, inwardness, and emotional weight into a modernist pictorial structure.

Two women engaged in ironing and sewing are transformed through geometric forms, flat colour, patterned surfaces, and a modernist interpretation of domestic female labour.

A reclining female figure, fruit bowl, patterned fabrics, and decorative surfaces transform the traditional odalisque into a geometric and modernist pictorial structure.

A woman working at an embroidery hoop is transformed through geometric forms, flat colour, decorative motifs, and a modernist reconstruction of traditional female labour.

A skull, goblet, cylindrical form, and folded fabrics transform the vanitas tradition through geometric simplification, flattened colour, and modernist surface organisation.