Close Menu

Browsing: Desire and Guilt

Tannhäuser — Gabriel von Max

By Filomythos_EnglishJuly 28, 2026

A luminous Venus reclines upon a red divan while Tannhäuser watches from the shadows beside a moonlit sea.

The Sensual Waters of Myth: On Maximilian Pirner’s Potok (1903)

By Filomythos_EnglishAugust 8, 2026

Two female figures merge with cascading water and flowing hair, transforming the mythological nymph into an Art Nouveau image of nature, sensuality, and erotic energy.

Farm Garden with Crucifix — Gustav Klimt, 1911–1912

August 8, 2026

Fair Rosamund and Eleanor — Frank Cadogan Cowper, 1920

August 8, 2026

Water Snakes II (Wasserschlangen II) — Gustav Klimt, 1907

August 8, 2026

The Sensual Waters of Myth: On Maximilian Pirner’s Potok (1903)

By Filomythos_EnglishAugust 8, 2026

Two female figures merge with cascading water and flowing hair, transforming the mythological nymph into an Art Nouveau image of nature, sensuality, and erotic energy.

Farm Garden with Crucifix — Gustav Klimt, 1911–1912

August 8, 2026

Fair Rosamund and Eleanor — Frank Cadogan Cowper, 1920

August 8, 2026

Water Snakes II (Wasserschlangen II) — Gustav Klimt, 1907

August 8, 2026

What's Hot

Psychoanalysis

Turkish Site

Art History

Browsing: Desire and Guilt

Tannhäuser — Gabriel von Max

Who Has the Right to an Intellectual Life? Zena Hitz and Lost in Thought

From Walter Benjamin to Synthetic Epistemology: The Reproduction of the Image in the Age of Artificial Intelligence

Knowledge Without a Knower: Subjectless Epistemology in the Age of Artificial Intelligence

What Is Synthetic Epistemology?

The Sensual Waters of Myth: On Maximilian Pirner’s Potok (1903)

Farm Garden with Crucifix — Gustav Klimt, 1911–1912

Fair Rosamund and Eleanor — Frank Cadogan Cowper, 1920

Water Snakes II (Wasserschlangen II) — Gustav Klimt, 1907

The Sensual Waters of Myth: On Maximilian Pirner’s Potok (1903)

Farm Garden with Crucifix — Gustav Klimt, 1911–1912

Fair Rosamund and Eleanor — Frank Cadogan Cowper, 1920

Water Snakes II (Wasserschlangen II) — Gustav Klimt, 1907

Our Picks

The Sensual Waters of Myth: On Maximilian Pirner’s Potok (1903)

Farm Garden with Crucifix — Gustav Klimt, 1911–1912

Fair Rosamund and Eleanor — Frank Cadogan Cowper, 1920

Most Popular

Who Has the Right to an Intellectual Life? Zena Hitz and Lost in Thought

From Walter Benjamin to Synthetic Epistemology: The Reproduction of the Image in the Age of Artificial Intelligence

Knowledge Without a Knower: Subjectless Epistemology in the Age of Artificial Intelligence

Subscribe to Updates

What's Hot

Browsing: Desire and Guilt