Browsing: Kant

An analysis of Post-Impressionism as a transition from Impressionist perception toward reconstructed form, subjective intensity, symbolic meaning, and new conceptions of pictorial space.

Baumgarten founded aesthetics as the science of sensuous cognition, connecting beauty, imagination, sensuous perfection, art, epistemology, and the autonomy of aesthetic knowledge.

Baumgarten and Kant define two decisive thresholds of aesthetics through sensuous cognition, perfection, judgement, free play, common sense, genius, aesthetic ideas, and the sublime.

Friedrich Schiller connects the sensuous drive, form drive, play drive, aesthetic education, freedom, culture, and political formation within a unified theory of human development.

Kant’s aesthetics connects judgement, disinterested pleasure, subjective universality, purposiveness without purpose, free play, Schein, the sublime, genius, and aesthetic ideas.

Kant, Hegel, Heidegger, and Gadamer transform the relation among subject, history, world, tradition, language, interpretation, and the event of understanding.

Şaban Teoman Duralı connected biology, philosophy, language, culture, morality, science, and civilisation through an integrated investigation of life and the human being.

Ressentiment, pity, slave morality, universal values, the death of God, and revaluation define Nietzsche’s genealogical critique of Christian moral evaluation.

From revelation as transmitted knowledge to Aristotle’s causal understanding of being and Kant’s critical inquiry into the conditions of experience, this essay traces changing forms of knowledge.

Starting from Žižek’s formula of “knowledge without a knower,” this essay examines how artificial intelligence transforms the relation between knowledge, subjectivity, responsibility, and truth.