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A religious council scene accompanying an article on heterodoxy and heresy in the fifth and sixth centuries. The composition presents ecclesiastical authority gathered around an institutional declaration of truth, while a marginalised figure is positioned beneath or outside the central assembly. The spatial hierarchy represents heresy as both doctrinal exclusion and removal from the symbolic body of the community.

A conceptual image accompanying an article on the theological conflicts of the fifth and sixth centuries, focusing on Rabbinic Judaism, Byzantine Christianity, Sasanian Zoroastrianism, Manichaeism, Mazdakism, Samaritan communities, and Mandaeism. The image represents theology as a system of textual authority, institutional discipline, religious law, and political power.

A medieval fresco attributed to Lippo Memmi showing Thomas Aquinas enthroned at the centre of an ordered intellectual and theological composition. Divine authority appears above him, while philosophical figures and scholastic authorities occupy the lower part of the image, symbolising the institutional structure of Scholasticism and its reconciliation of reason with faith.

An art-historical reading of Leblebici’s untitled painting as a symbolic house-body where female form, darkness, pomegranate, erasure, memory, and interior space converge.