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Hicran leaves home after being forced into an engagement with Rıza, who later travels to Istanbul to find her as love, pride, freedom, and possession become intertwined.
The scene of Rose and Jack after the sinking recalls the composition, bodily struggle, and delayed rescue of The Raft of the Medusa.
An unnamed teacher sent to an isolated village in Hakkari confronts snow, deprivation, linguistic distance, and the limits of his own authority and knowledge.
Former guerrilla Iskandar returns from the Indonesian war of independence and confronts trauma, corruption, alienation, and the collapse of national ideals.
A conceptual image accompanying an article on Gottfried Wilhelm Leibniz and the Monadology. The composition represents monads as distinct, inward centres connected through a harmonious cosmic pattern. It evokes perception, appetition, apperception, relational space and time, the principle of sufficient reason, and the best of all possible worlds.
A conceptual image accompanying an article on the ontological system of Spinoza’s Ethics. The composition associates Spinoza with geometrical forms representing definitions, axioms, propositions, and demonstrations. It evokes the unity of substance, Deus sive Natura, thought and extension, finite modes, causal necessity, conatus, the transformation of affects, and the intellectual love of God.
A conceptual image accompanying an article on Louis Althusser’s late philosophy. The image represents history as an open field of material encounters rather than a process governed by a predetermined end. It relates to aleatory materialism, contingency, the void, the conjuncture, political intervention, reproduction, and the formation of structures that retrospectively appear necessary.
A conceptual image accompanying an article on Heidegger’s interpretation of Kant’s transcendental imagination. The image represents the relation between sensory intuition, conceptual understanding, schematism, finite knowledge, and Dasein’s ecstatic structure of future, having-been, and present.
Thomas Aquinas, one of the most systematic and influential architects of medieval Western philosophy, brought…
A historical portrait or manuscript representation accompanying an article on Duns Scotus. The image relates to his concepts of haecceitas, or thisness, the ontological reality of singular beings, the univocity of being, direct knowledge of individuals, and the freedom of the will.