Browsing: Imagination

Jungian active imagination creates a dialogue between consciousness and unconscious imagery, transforming passive observation into psychological participation, response, and responsibility.

Baumgarten founded aesthetics as the science of sensuous cognition, connecting beauty, imagination, sensuous perfection, art, epistemology, and the autonomy of aesthetic knowledge.

Baumgarten and Kant define two decisive thresholds of aesthetics through sensuous cognition, perfection, judgement, free play, common sense, genius, aesthetic ideas, and the sublime.

Kant’s aesthetics connects judgement, disinterested pleasure, subjective universality, purposiveness without purpose, free play, Schein, the sublime, genius, and aesthetic ideas.

Negri’s Spinoza connects immanence, multiplicity, imagination, collective power, anti-modernity, and democracy against sovereignty, transcendence, and political mediation.

A conceptual image accompanying an article on Kant’s doctrine of schematism. The composition represents pure concepts on one side and sensible appearances on the other, connected through imagination and the temporal forms of number, persistence, succession, simultaneity, possibility, actuality, and necessity.