Browsing: Orientalism

Jezebel sits amid mirrors, jewels, peacock feathers, lilies, attendants, and sumptuous colour, turning beauty and luxury into a tense image of power, gaze, and judgement.

A reclining female figure, fruit bowl, patterned fabrics, and decorative surfaces transform the traditional odalisque into a geometric and modernist pictorial structure.

Female figures, revolutionary crowds, red flags, and a black diagonal force collide in a political image connecting desire, power, petroleum, and representation.

A reclining odalisque turns toward the viewer as her elongated body, luxurious fabrics, and Orientalist objects create an idealised exotic interior.

Salome stands adorned in red and gold fabrics, her body directed toward an unseen action while a sheathed sword rests across her.

A nude woman lies face down upon red fabrics within a dark interior decorated with fruit, cushions, vessels, and an incense burner.

Three women sit among carpets and cushions while a servant stands near the curtain within a shadowed Algerian interior.