The Zeuxis–Parrhasius problem of deceptive appearance becomes a point of departure for examining artificial intelligence, Hegelian–Lacanian subjectivity, language, symbolic performance, and ontological deception.
Lascaux and Westworld frame a philosophical inquiry into subjectivity as division, exploring representation, trauma, memory, retroactivity, and the distinction between cognitive complexity and consciousness.
Harari’s agency, Žižek’s knowledge without a knower, and Synthetic Epistemology converge around subjectless knowledge, representation, responsibility, and the Threshold Human.
Starting from Žižek’s formula of “knowledge without a knower,” this essay examines how artificial intelligence transforms the relation between knowledge, subjectivity, responsibility, and truth.
A conceptual image representing the movement from obsessive self-analysis toward art, science, love, politics, and other realities valued beyond personal comfort.
