Browsing: Subject

The Zeuxis–Parrhasius problem of deceptive appearance becomes a point of departure for examining artificial intelligence, Hegelian–Lacanian subjectivity, language, symbolic performance, and ontological deception.

Harari’s agency, Žižek’s knowledge without a knower, and Synthetic Epistemology converge around subjectless knowledge, representation, responsibility, and the Threshold Human.

Norman Bryson connects psychoanalysis, discourse theory, visual rhetoric, ideology, and regimes of the gaze within a critical reconstruction of art-historical method.

Kant, Hegel, Heidegger, and Gadamer transform the relation among subject, history, world, tradition, language, interpretation, and the event of understanding.

A conceptual representation of the divided subject, desire, lack, fantasy, jouissance, and the Borromean knot in Lacanian psychoanalysis.

A philosophical reading of postmodern art through Jameson’s critique of depthlessness, surface, fragmented subjectivity, simulated history, and the loss of mythic meaning.

A Synthetic Epistemology concept essay defining the Threshold Human as the subject who thinks with AI systems while retaining interpretation, critique, and ethical responsibility.