Browsing: Philosophy

Roman Jakobson’s linguistic model explains how communication functions, poetic form, selection, combination, sound, rhythm, and textual organization participate directly in the production of meaning.

Benedetto Croce developed an influential aesthetics based on the identity of intuition and expression, the unity of form and content, and the autonomy of art.

A philosophical study of Gadamer’s humanistic conception of knowledge through Bildung, sensus communis, judgment, taste, and the limits of methodological certainty.

Gilles Deleuze’s concept of lines of flight accompanies a discussion of desire and love as forces capable of escaping capitalist codification, reciprocity, and exchange.

The universal, particular, and individual form a dialectical unity in which the concept differentiates itself, becomes determinate, and returns to itself concretely.

Ernst Cassirer represents the transition from Marburg Neo-Kantian epistemology toward a philosophy of symbolic forms encompassing language, myth, culture, and art.

Klee’s winged angel becomes, in Walter Benjamin’s interpretation, a figure of historical catastrophe, forced toward the future while gazing helplessly upon the ruins of the past.

Harari’s agency, Žižek’s knowledge without a knower, and Synthetic Epistemology converge around subjectless knowledge, representation, responsibility, and the Threshold Human.

Bergson and Hegel offer contrasting accounts of limit, negation, infinity, becoming, contradiction, and the positive production of internal difference.

Lenin’s return to Hegel reveals how contradiction, mediation, totality, and categorical movement shape Marx’s materialist critique of capitalist social relations.