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Hicran leaves home after being forced into an engagement with Rıza, who later travels to Istanbul to find her as love, pride, freedom, and possession become intertwined.
The scene of Rose and Jack after the sinking recalls the composition, bodily struggle, and delayed rescue of The Raft of the Medusa.
An unnamed teacher sent to an isolated village in Hakkari confronts snow, deprivation, linguistic distance, and the limits of his own authority and knowledge.
Former guerrilla Iskandar returns from the Indonesian war of independence and confronts trauma, corruption, alienation, and the collapse of national ideals.
A conceptual image accompanying an article on Hegel’s distinction between actuality and mere existence. The composition relates Hegel to the unity of concept and reality, essence and appearance, inner and outer, necessity and contingency. The owl of Minerva may appear as a symbol of philosophy comprehending a historical form once it has matured.
A historical portrait or manuscript representation accompanying an article on Duns Scotus. The image relates to his concepts of haecceitas, or thisness, the ontological reality of singular beings, the univocity of being, direct knowledge of individuals, and the freedom of the will.