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Hicran leaves home after being forced into an engagement with Rıza, who later travels to Istanbul to find her as love, pride, freedom, and possession become intertwined.
The scene of Rose and Jack after the sinking recalls the composition, bodily struggle, and delayed rescue of The Raft of the Medusa.
An unnamed teacher sent to an isolated village in Hakkari confronts snow, deprivation, linguistic distance, and the limits of his own authority and knowledge.
Former guerrilla Iskandar returns from the Indonesian war of independence and confronts trauma, corruption, alienation, and the collapse of national ideals.
A conceptual image accompanying an article on the theological conflicts of the fifth and sixth centuries, focusing on Rabbinic Judaism, Byzantine Christianity, Sasanian Zoroastrianism, Manichaeism, Mazdakism, Samaritan communities, and Mandaeism. The image represents theology as a system of textual authority, institutional discipline, religious law, and political power.
A Synthetic Epistemology essay on Paglen and Crawford’s ImageNet Roulette as a public experiment exposing dataset bias, machine gaze, and the violence of classification.
Taner Timur examines Ottoman and Republican history through social structure, class, political institutions, ideology, identity, Marxism, modernisation, and the methodology of historiography.
Kaşgarlı Mahmud recorded Turkish vocabulary, dialects, oral culture, geography, and social memory, establishing one of the foundational works of Turkish linguistic and intellectual history.
Spinoza’s ontology of immanent power connects potentia with conatus, affects, adequate ideas, common notions, freedom, virtue, and collective capacity.
Living labour, multitude, constituent power, biopolitical production, Empire, potentia, and the common form the interconnected structure of Negri’s political philosophy.