Browsing: Aristotle

Dalí’s melting clocks provide a visual counterpart to Surrealism’s transformation of reality, where time, perception, desire, and the unconscious replace rational stability with fluid and unstable meaning.

Cubism transforms objects, perspective, space, and perception through fragmentation and reconstruction, replacing mimetic Representation with a visual structure built from multiple viewpoints and temporal experience.

Representation, Gaze, and Void form the core of Visual Dialectic, connecting what an image shows, how visibility is organized, and what remains excluded, unseen, or open to interpretation.

Representation connects what an artwork shows with historical worldview, cultural meaning, ideological structure, viewer position, and the hermeneutic process through which truth becomes present.

Void functions as spatial absence, compositional openness, symbolic silence, and hermeneutic incompleteness across art history, allowing what remains unseen to participate in the production of meaning.

Techne names a form of knowledge that brings things into being, while modern technology increasingly transforms making into optimization, resource management, modeling, and algorithmic construction.

A philosophical study of Gadamer’s humanistic conception of knowledge through Bildung, sensus communis, judgment, taste, and the limits of methodological certainty.

Deleuze defines the virtual as fully real difference and the actual as its temporary, local formation through immanent processes of actualization.

Gadamer contrasts Kierkegaard’s inward Antigone with tragedy’s shared structure of fate, disproportionate guilt, spectatorship, tragic affirmation, and common human truth.

Şaban Teoman Duralı connected biology, philosophy, language, culture, morality, science, and civilisation through an integrated investigation of life and the human being.