A helmeted warrior and staged female figure confront one another through bold contours, flat colour, mechanical forms, and the visual language of Pop Art.
Female figures, revolutionary crowds, red flags, and a black diagonal force collide in a political image connecting desire, power, petroleum, and representation.
A formally posed queen is surrounded by collaged popular imagery, transforming monarchical authority into a media icon within the visual noise of mass culture.
A sleeping nude body lies beneath a crowded montage of popular imagery, transforming the dream into a field of media, memory, desire, and visual invasion.
An art-historical reading of Erró’s The Second Scream as a Pop Art collision of Munch’s scream, war technology, media noise, and collective modern panic.
