Browsing: Freedom

Benedetto Croce developed an influential aesthetics based on the identity of intuition and expression, the unity of form and content, and the autonomy of art.

Flowers, lemons, parakeets, patterned textiles, carpets, curtains, and a pale window opening create a Nice-period interior structured through decorative rhythm, color, and layered surface.

The universal, particular, and individual form a dialectical unity in which the concept differentiates itself, becomes determinate, and returns to itself concretely.

Charles Courtney Curran places four women upon a mountain summit, using height, open sky, pastel color, and strong light to explore female subjectivity, bodily freedom, and the modern relationship between woman and nature.

Knight’s On the Cliffs combines two seated figures, rocky coastline, luminous sea, open horizon, and Impressionist light to explore everyday life, human fragility, and harmony with nature.

Curran’s The Top of the World combines a solitary female figure, rocky summit, flowing white dress, broad sky, and luminous atmosphere to explore modern freedom, individuality, and the relation between woman and nature.

Friedrich Schiller connects the sensuous drive, form drive, play drive, aesthetic education, freedom, culture, and political formation within a unified theory of human development.

Şaban Teoman Duralı connected biology, philosophy, language, culture, morality, science, and civilisation through an integrated investigation of life and the human being.

Spinoza’s ontology of immanent power connects potentia with conatus, affects, adequate ideas, common notions, freedom, virtue, and collective capacity.

Hicran leaves home after being forced into an engagement with Rıza, who later travels to Istanbul to find her as love, pride, freedom, and possession become intertwined.