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Browsing: Power
Rosamund and Eleanor confront one another across a silent interior where white fabric, dark robes, a dagger, red curtains, and suspended hesitation structure the scene.
Guinevere sits among lilies, jewels, a mirror, and watching knights, transforming Arthurian beauty into a decorative tension between innocence, desire, power, and gaze.
A helmeted warrior and staged female figure confront one another through bold contours, flat colour, mechanical forms, and the visual language of Pop Art.
Female figures, revolutionary crowds, red flags, and a black diagonal force collide in a political image connecting desire, power, petroleum, and representation.
Potiphar’s wife seizes Joseph’s garment within a dark bedroom framed by a red curtain, while Joseph’s raised hand and withdrawing body establish the moment of refusal and escape.
Bathsheba sits within an intimate scene of bathing and adornment while the surrounding architecture introduces the possibility of an external gaze and the historical consequences to follow.

