Browsing: Temporality

Gadamer’s transition from art to hermeneutics connects reading, writing, historical distance, world literature, reconstruction, integration, and interpretation within a philosophy of historically mediated understanding.

Play, performance, representation, repetition, self-forgetfulness, transformation into structure, total mediation, recognition, and contemporaneity define Gadamer’s ontology of the artwork.

A conceptual image accompanying an article on Kant’s doctrine of schematism. The composition represents pure concepts on one side and sensible appearances on the other, connected through imagination and the temporal forms of number, persistence, succession, simultaneity, possibility, actuality, and necessity.

A conceptual image accompanying an article on Martin Heidegger’s phenomenology. The image represents the transition from Husserlian consciousness and intentionality to Dasein, being-in-the-world, ecstatic temporality, hermeneutic interpretation, language as the house of Being, and art as an event of unconcealment.

A conceptual image accompanying an article on Heidegger’s interpretation of Kant’s transcendental imagination. The image represents the relation between sensory intuition, conceptual understanding, schematism, finite knowledge, and Dasein’s ecstatic structure of future, having-been, and present.

A philosophy essay on Heidegger’s transformation of phenomenology from consciousness-centered method into an ontological inquiry into Being, Dasein, time, language, and art.