Gadamer’s transition from art to hermeneutics connects reading, writing, historical distance, world literature, reconstruction, integration, and interpretation within a philosophy of historically mediated understanding.
Literature, reading, writing, historical distance, authorial intention, reconstruction, integration, and transmission lead Gadamer from aesthetic hermeneutics toward general philosophical hermeneutics.
Kant, Hegel, Heidegger, and Gadamer transform the relation among subject, history, world, tradition, language, interpretation, and the event of understanding.
A conceptual image accompanying an article on Kant’s doctrine of schematism. The composition represents pure concepts on one side and sensible appearances on the other, connected through imagination and the temporal forms of number, persistence, succession, simultaneity, possibility, actuality, and necessity.
