A standing nude withdraws her gaze and gathers her hands before her body as dark space, visible brushwork, and unstable contours establish ethical distance.
Teacher Samet’s self-centred narrative is tested by Nuray, Sevim, an institutional investigation, provincial routine, snow, photography, and the responsibility of looking.
A film production about a racist attack becomes a field in which casting, testimony, institutional procedure, and representational power are brought into conflict.
